Models

Presence is the brief.

We look for faces and walks that hold a room, from a first casting to the last look. Experience is welcome. It is not a gate.

Apply as a model
Iyabo Ojo in a gold and brown corset dress with a long train, standing on a gold floor.
Iyabo Ojo

What we are actually looking at.

Not a measurement sheet. Three things a photograph can already tell us, and one that only a room can.

  • 01

    The face in still light

    A portrait where nothing else is doing the work. We want to see bone, expression, and whether you can be quiet in front of a lens.

  • 02

    The walk

    Speed, posture, and the decision to arrive. Runway experience helps. A clear sense of your own body helps more.

  • 03

    Range

    Print and cloth. Tailoring and ceremony. The house casts across womenswear and menswear.

  • 04

    The room

    Professionalism is part of the look. Call time, fittings, and the ability to wear someone else’s idea without losing your own.

  • Iyabo Ojo in a green and gold gown with a matching gele, holding a fringed wrap.

    Iyabo Ojo

    The portrait

    Still, direct, and finished. The picture you would send a designer who has never met you.

  • Femi Adebayo seated in a light blue agbada with a navy panel, a matching fila, and a silver wristwatch.

    Femi Adebayo

    The tailor

    Menswear needs a different temperature. Shoulder, collar, and the confidence to stand still.

  • An Eyo masquerader in flowing white agbala and a red hat, staff raised, during the Eyo festival in Lagos.

    The walk

    One length of the runway, taken as if the clothes depend on it. Because they do.

  • Lola Alao in a gold gele and a gold cutwork gown, with coral beads.

    Lola Alao

    Ceremony

    Gele, coral, and cloth worn for a day that matters. Carry the occasion without letting it carry you.

  • Odunlade Adekola in a black agbada, embroidered fila, and long beads, at the Toronto International Film Festival.

    Odunlade Adekola

    Stillness

    Black on black, beads to the waist. Some looks are held by standing perfectly still.

  • A man at Ojude Oba in Nigeria in a brown patterned agbada and a green beaded cap, his face veiled with beads.

    The festival

    Cloth worn in front of thousands, in daylight, for hours. If a look survives Ojude Oba, it will survive a runway.

Portraits of Iyabo Ojo, Femi Adebayo, Lola Alao, and Odunlade Adekola name the actors. They are not an endorsement of the house. Photograph of Odunlade Adekola by Danielle G. Campbell, CC BY-SA 4.0, via Wikimedia Commons.

If you are cast

You leave with more than a memory of the lights.

Casting, styling, and direction. A walk in front of a live room. Portraits you can use. A public credit next to the clothes you wore.

New faces and working models are read the same way: does the picture hold, and can you be in a fitting without the room having to manage you.

Send a portrait
Performers at the Cape Minstrel Carnival in Cape Town in matching orange and blue suits and hats.

Models

Show us the face. Tell us the city.

A name, a portrait, and a line about the work you have done — or the work you want.

Apply as a model